Choreographic Tectonics proposes architecture as a performed and time-based construct, where movement, not static form, generates space. This thesis treats program as pose, in which discrete programmatic volumes are arranged in states of balance, counterbalance, and lift, forming a choreographed system of forces. Drawing from dance notation, motion capture, and iterative 3D modeling, each program element operates as a body whose position, rotation, and compression generate spatial relationships, circulation, and structure. The dancer is no longer an occupant but the origin of architecture, producing geometries derived from temporal sequences. These movement-based configurations are materialized through tectonic systems, joints, skins, and assemblies, transforming abstract motion into buildable form. Through this process, architecture emerges from pose to diagram to construction, where movement becomes structure and program is not arranged, but performed.
