Categories
ARCH 502a: FACE VALUE

Instructor: Erin Kasimow

Unboxing the Suburban Home

As we’ve grown accustomed to the uniformity of the suburban neighborhood, we’ve also become increasingly more aware of its successes and failures as a model for domestic bliss. While once symbolizing the iconic image of the post-war American Dream, tensions over financial models, accessibility, and diversity have left these single family homes ready for design re-evaluation and speculation as each generation faces new definitions of family and household needs. Unboxing positions itself among previous artistic and architectural speculations offering alternative suburban perspectives. It acknowledges the trappings of conformity and melancholy underlying many of the picture perfect suburban representations and proposes a reconstructed suburban “model home” that prioritizes re-connecting families and individuals to nature, health, and their community.

Categories
ARCH 502a: FACE VALUE

Instructor: Erin Kasimow

Here and There

Here and There yields superimposition as a tool to re-imagine existing structures and create meaningful engagement with their history and context. By layering memory and program through spatial interventions, the project splices together old and new frames of history, resulting in unexpected and dynamic spaces. As a case study, Casa del Desierto Harvey House in Barstow, California, demonstrates how superimposition activates a building and invites people to better engage with its spaces while creating memories through its historical echoes. The process re-contextualizes the original programs of the building through a contemporary lens, providing a new way to experience the past and present simultaneously.

Categories
ARCH 502a: FACE VALUE

Instructor: Erin Kasimow

No Bad Angle: Transforming the Metro’s Identity

Spaces that are designed to be documented and published are integral to the contemporary consumption of architecture. No matter the medium or method of documentation – pop culture, publications, journalism, social media etc, the impact of photogenic design in our current age is so critical it must be considered at the earliest stage of design conception. Rather than contribute to the flattening of design culture often perpetuated by the algorithm of social media, No Bad Angle seeks to use camera-ready design to test new strategies for reviving and rebranding infrastructure that can benefit from increased viewership and users. The Los Angeles Metro, a still burgeoning system in a city dominated by the car, is the optimal foundation for a redesign. No Bad Angle imagines a metro system that invites riders in through image ready design only to find an expanded experience of LA that reaches far beyond its visual identity.

Categories
ARCH 502a: FACE VALUE

Instructor: Erin Kasimow

El Sabor De La Isla

The Island Meanguera is experiencing cultural erasure through its development. By following the development of the Island, therein lies a series of cultural memories embedded in the urban fabric. El Sabor De La Isla acknowledges the relationship of time and memory to architecturally represent the coexistence of the past, present, and future in a single space.This juxtaposition of the past with the present can then be used to imagine future scenarios for the Island’s development, reasserting the importance of memory in space- that spaces may change, but memories will always remain.

Categories
ARCH 502a: FACE VALUE

Instructor: Erin Kasimow

Uncanny Orders

Society follows a pattern of creating spaces according to gender-power relations. The feminine is historically trivialized and marginalized in the architectural realm. Traditionally, this manifests at its strongest in domestic spaces. Uncanny Orders calls out such relations by proposing alternative means of creating domestic furniture. Familiar ready-made pieces associated with certain rituals are reappropriated according to new concepts of efficiency, freedom, and familiarity. Presented via The dollhouse, a traditional teaching tool, allows for the testing, engagement, and perhaps unintended consequences of these new objects.

Categories
ARCH 502a: FACE VALUE

Instructor: Erin Kasimow

Paired Moments

Paired Moments inserts geographic diptychs into the built environment that highlight the juxtaposition of culture and displacement created through ethnic dispersion. Focusing on the Armenian community of Artsakh and the ethnic cleansing they have endured, these designed spaces marry forms and materiality symbolic of Armenian culture within their new American landscape ultimately fostering integration into an adopted environment. These moments give the diaspora an opportunity to experience the region of Artsakh, which is no longer accessible to the Armenian community. Through enhanced thresholds into cultural spaces throughout Glendale, California, residents are able to reconnect with parts of their identity and history, preserving and restoring traditions and landscapes previously lost.

Categories
ARCH 502a: FACE VALUE

Instructor: Erin Kasimow

FACE VALUE

The architectural image has the ability to shape a larger narrative and understanding of place that transcends the material of the built environment and can rewrite the intentions of the architect. Our dependency on the visual communication of the screen drives the desire for endless content in many disciplines. As we’ve moved from the analog methods of early photography, from film to pixel, from human to AI we are able to proliferate new imagery at continually increasing speeds.

Under this avalanche of content, it becomes imperative to question its worth thus Face Value calls for an interrogation into the embodied value systems of architectural imagery. How is it being generated and consumed and what can or should be leveraged from these images towards new proposals for building and designing?

Categories
ARCH 501: Adventures in the Algorithmic Ordinary and/or Odd Operations on the Everyday

Instructor: Hadrian Predock

Falling in the Rabbit Hole: a journey of time and space in elementary school

Scaling as a transformative operation evokes extraordinary potential for redefining the ordinary through reassessing the materials, structure, space, and function. Through scaling, this project aims to design an elementary school that uses the architecture itself as an educational tool to provide a constantly evolving experience of time and space. This project further explores the adaptation of a single-family housing block into an educational facility through custom reconstruction methods informed by the Montessori framework for each age group. By experimenting with the integration of classroom design and single-family housing typology, a living room could be transformed into a classroom, a library, a garden, etc. Across the project, students will experience a parallel educational universe of elementary school, fostering a learning atmosphere that is more cohesive, interactive, and engaging.

Categories
ARCH 501: Adventures in the Algorithmic Ordinary and/or Odd Operations on the Everyday

Instructor: Hadrian Predock

GAS STATIONS IN LOS ANGELES’ URBAN FABRIC: TRANSLATIONS OF REPRESENTATION

In today’s digitally-driven, media-obsessed world, photography pervades the everyday. Though purportedly portraying reality, even in the most commonplace photographs, perspectival distortion subverts imagery, making subjectivity inextricable from the medium. This thesis explores the power of photography as a design tool in architecture. The project looks to gas stations as a case study for liminal spaces within the urban fabric of Los Angeles, investigating information synthesis through a translation across mediums of representation. Manipulation techniques of hyperrealism and information reduction generate highly curated composites that are translated into physical models for radical design interventions, aiming to reimagine the future of gas stations in Los Angeles through world-making.

Categories
ARCH 501: Adventures in the Algorithmic Ordinary and/or Odd Operations on the Everyday

Instructor: Hadrian Predock

From Density to Identity

This thesis critiques the progressive loss of identity and growing uniformity in contemporary cities by reimagining the high-rise typology as pieces of cultural infrastructure rather than as merely high-density buildings. Drawing inspiration from Richard Artschwager and other late 20th-century artists who transformed the ordinary, this thesis applies these strategies to high-rise typology through a playful lens by treating the high-rise as an object. The result is an experiment that reinterprets culturally relevant everyday objects to produce a commentary playfully conveyed through an interactive toy. It simplifies the complex issue of urban homogenization, using the familiar format of a toy to demystify architectural discourse and address the blandness that pervades urban landscapes as a result of the high-rise typology.