SIMULACRA: ARCHITECTURAL REPRESENTATION

In philosophy, the concept of simulacrum has emerged as a compelling lens through which to examine the intricate relationship between reality and representation.1 Simulacra, refers to representations or copies that blur the line between reality and illusion, often existing in a hyperreal state. Jean Baudrillard, encompass four stages of simulation: reality, the mask or perversion of reality, the absence of reality, and the total detachment from reality.2 This thesis explores simulacrum through methods of architectural representation, utilizing typologies as a framework to generate reimagined projects. Typologies are often recognizable and have both historical and cultural significance that allow for comparative analysis across diverse contexts.